An interesting dialog between Dr Hugh Mather and Pascal Nemirovski.Nevertheless it was the recordings of his personal performances in his youth that have been a revelation.After all he inspired us to take heed to Cortot to indicate that there isn’t a a method of taking part in the piano.As saying ‘thanks’,which the human voice can say with so many alternative inflections.The final phrase immediately was in reality given to the chic voice of Janet Baker for example of what we’re all striving for.Hear ,hear ,hear was his message.Actually it was Shura Cherkassky after listening to the primary recital of a whole collection of the Beethoven Sonatas from a prime prize successful pianist ,who turned to me and mentioned I don’t assume he’s listening to himself!Simply as Pascal charmingly instructed of Glenn Gould practising with the vacuum cleaner on so he must pressure to listen to the musical sounds he was looking for on the piano.After all Pascal touched with reference to method and the significance of appropriate posture that may not impede the power from flowing via the fingers into the notes.However above all to consider the sound you might be striving for earlier than on the lookout for the observe on the keyboard.An interesting dialog of nice allure and ‘joie de vivre’ of an artist deeply in love with music and the thought of sharing this nice love and expertise with others.What higher method to have fun his extraordinary profession than to listen to 5 of his outstanding college students ,three of whom have performed on this very stage and Emanuil Ivanov ,winner of the 2018/19 Busoni Competitors ,who will play on Valentine’s Day.

Pascal Nemirovski is acknowledged as one of the sought-after piano pedagogues on the earth with a lot of his college students successful prime worldwide prizes (Leeds, Busoni, Ettlingen, YCA New York, YCAT London, BBC New Era Artist…) and lots of of whom at the moment are profitable recording artists represented by main Live performance Artist Administration firms. These embody Lise de la Salle, Louis Schwizgebel, Daniel Lebhardt, Mario Mora, Roman Kosyakov, Emanuil Ivanov, Edward Leung, Yi Zhong. He studied on the Juilliard Faculty with Nadia Reisenberg and Adele Marcus from 1981 to 1984 on a full scholarship. Then he continued his research in Paris with France Clidat and Alexis Weissenberg and gave concert events and masterclasses in Europe, the USA and Asia. He was a Piano Professor on the Royal Academy of Music from 2006 to 2017, and since 2015 has held the publish of Worldwide Chair in Piano on the Royal Birmingham Conservatoire.