{"id":20242,"date":"2023-01-30T13:19:49","date_gmt":"2023-01-30T13:19:49","guid":{"rendered":"https:\/\/stag-party.expresspage.net\/?p=20242"},"modified":"2023-01-30T13:19:49","modified_gmt":"2023-01-30T13:19:49","slug":"kakaphony","status":"publish","type":"post","link":"https:\/\/expresspage.net\/kakaphony\/","title":{"rendered":"KAKAPHONY"},"content":{"rendered":"<br><div>\n\t\t<div class[vimar_seo_links]\n=&#8221;CNxNUMI4vuO8-fkO8bPPMQ== FdGBl7+r1sQJZTUFqRjvJw==&#8221;>\n<div class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\">\n<p><\/p>\n<p><strong>Maria Chavez<\/strong>\u00a0is a pioneer of Summary Turntablism, a self-described apply she developed beneath the steerage of\u00a0<strong>Pauline Oliveros<\/strong>\u2018 Deep Listening. Born in Lima, Peru and raised in Houston, she lower her tooth as a DJ spinning techno and drum &amp; bass, however the male chauvinism of that scene roused her to experiment additional with the materiality of vinyl, utilizing damaged needles and non-musical sounds. Oliveros impressed her to ditch dance events for improvisation with a single turntable, an inventive apply which has developed to incorporate installations, workshops, visible artwork, and curation. A real sound artist (she adamantly eschews the label \u201cmusician\u201d), till lately, Chavez had launched just one recording, 2004\u2019s\u00a0<em>These Eyes Of Hers<\/em>, focusing as an alternative on her profession as longform efficiency. However after starting a medical sabbatical in 2019, which compelled her to stop touring (a yr earlier than the remainder of the world shut down), Maria started slowly releasing new recordings into the world. On this episode, we focus on current and upcoming collaborations, her swap to utilizing 4 turntables (with double needles), and staking out her rightful place in artwork historical past contra White supremacist energy buildings.<\/p>\n<\/div>\n<p><strong><br\/>Episode 24: KAKAPHONY\u00a0<\/strong><\/p>\n<\/div>\n<p><em>Sound Propositions\u00a0<\/em>must be obtainable wherever you get your podcasts, so please preserve a watch out and subscribe (and price and evaluate, it helps others who may be  discover us). You&#8217;ll be able to help Sound Propositions on\u00a0Patreon\u00a0in case you are so inclined, or ship a one-time donation through\u00a0PayPal. The primary two seasons are additionally obtainable on\u00a0Bandcamp.\u00a0 I\u2019m very grateful for any help, which is able to assist guarantee future episodes.<\/p>\n<p>Interview recorded between New York and Montreal, January 2022<br\/>Produced and combined in Montreal, April 2022<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1251953818%3Fsecret_token%3Ds-ga1aVPW4RAE&amp;auto_play=false&amp;hide_related=false&amp;visual=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;color=ff5500\"><\/iframe>\n<p><strong>SP* at\u00a0Anchor<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-112646\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/chavez_lead2_qr0zkaa.png?w=300&amp;h=169\" alt=\"\" width=\"300\" height=\"169\"\/>\u201cWhat&#8217;s the reverse of a DJ?\u201d Chavez requested herself this query when first confronted with tips on how to improvise as a turntablist. She settled on one turntable and one mixer, and an array of (oft-broken) needles and broken data. [Insert bad Neil Young joke.] I first encountered Chavez\u2019s work through her interview in Tara Rodgers\u2019\u00a0<i>Pink Noises\u00a0<\/i>(2010), the place she relays her origin story: She started DJing at 16, beginning a duo along with her then-boyfriend spinning techno and dnb. She studied Artwork Historical past on the College of Houston, whereas DJing at Rice College\u2019s radio station. Pissed off with the shortage of experimentation in DJ tradition, she would attend jazz and improvised music live shows on Sundays. An encounter with\u00a0<strong>Joe McPhee<\/strong>\u2019s Trio X launched her to avant-grade and improvised musics. Upon assembly\u00a0<strong>David Dove<\/strong>, director of the\u00a0<strong>Pauline Oliveros Basis<\/strong>, she requested to intern. From Oliveros she realized to embrace silence, to withstand the urge to fill all of the sonic house. She as an alternative started to assume by way of controlling mechanics, working with the possibility breaks and shaping and sculpting the resultant sounds. She transferred to group faculty to check audio engineering, throughout which period she started attending Dove\u2019s improvisation class on the\u00a0Multicultural Instructional Counseling by means of the Arts\u00a0(MECA) group as a part of her internship. It was there, in a duo with Dove, that Chavez made her first try at improvising, utilizing a single turntable and mixer. The success of that first try was a profound \u201cwhoa\u201d second, an epiphany that modified the course of her life.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-112645 alignleft\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/fnuxmohg_400x400.png?w=300&amp;h=300\" alt=\"\" width=\"300\" height=\"300\"\/>Usually the one girl in sure conditions, Chavez resists being categorized as a \u201cfeminine musician,\u201d or that her work sounds \u201cfemale.\u201d The truth is, she resists referring to her work as \u201cmusic\u201d in any respect. Partly, it appears to me, that is out of respect for her collaborators, lots of whom are educated musicians. She ends her interview in\u00a0<i>Pink Noises<\/i>\u00a0reflecting on the boundaries introduced to her as a lady, and as a Latina as nicely, compounded by the novelty of her method to sound, taking part in a turntable in a manner that\u2019s distinct from DJing or turntablism conventionally understood. However she additionally notes that her mom describes her work as \u201cthe music of the longer term.\u201d I actually would advocate a extra expansive definition of what constitutes \u201cmusic\u201d past the conservative and authoritarian custom of scored and notated European artwork music.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-112643\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/lans_sheehan_3_web-475x317-1.jpg?w=300&amp;h=200\" alt=\"\" width=\"300\" height=\"200\"\/>However Chavez\u2019s refusal of music, and her embrace of sound, is what allowed her to develop her creative apply, which she describes as Summary Turntablism. That apply exceeds anybody medium or efficiency apply, encompassing sound artwork, installations, pedagogy, and visible artwork. Lengthy primarily based in New York, she has collaborated with the\u00a0<strong>Merce Cunningham Dance Firm<\/strong>, and had work featured in lots of museums, together with the Dia:Beacon and the Whitney. She has additionally carried out and exhibited at festivals, museums, and galleries world wide. She has carried out with many musicians, together with\u00a0Lydia Lunch, Christian Marclay, Thurston Moore, Phil Niblock, and Otomo Yoshihide, amongst many others.\u00a0From February 1 till April 8 of this yr, her \u201cPaperworks, 2008-2022 (paper, sound, movement)\u201d have been on show on the\u00a0Sheehan Gallery, a testomony to how prolific her visible artwork apply has develop into. Whereas portray may be thought of a mute medium, Chavez renders vinyl grooves and needles into summary landscapes.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-112642 alignleft\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/screenshot_2021_05_18_at_14.40.28.jpg?w=300&amp;h=164\" alt=\"\" width=\"300\" height=\"164\"\/>Information break in their very own distinctive methods, as do needles. Within the early days she most popular the Ortofon stylus, which she boasted she may use in a dozen performances earlier than they might break. Specializing in sound and silence, on likelihood, Chavez developed a apply wealthy in subtlety and nuance, working with the imperfections of her supplies. Every damaged file and needle brings its personal company into the work. Chavez constructed up a physique of data she would work with, principally foley sound and take a look at data used to calibrate hi-fi gear, in addition to field-recordings and different non-musical data, although she is all the time biking in new data, generally altered in varied methods. In contrast to conventional DJs, she\u2019s not  within the recognizability of her sounds, and in reality actively avoids recognizable sounds. Her performances are run like workshops, encouraging dialogue with the viewers. In our dialog she remembers two significantly memorable situations of viewers participation: taking part in with a child in Vancouver and a howling canine in Toronto. Chavez collected her years of perception into\u00a0<i>Of Approach: Probability Procedures on Turntable<\/i>\u00a0(2012), sharing her methods with any who could also be .<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-112652 size-medium\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/screen-shot-2022-04-22-at-4.24.52-pm-e1650659232811.png?w=300&amp;h=166\" alt=\"\" width=\"300\" height=\"166\"\/>One of many many classes she realized from Pauline Oliveros was to be open to sound. One other was radical inclusivity and anti-capitalism. Relatively than hiding her methods behind a cloud of secrecy, she shares them. However she performed with shortage in different methods. After the discharge of\u00a0<i>These Eyes of Her\u00a0<\/i>in 2004, she didn\u2019t launch one other till\u00a0<i>Maria Chavez Performs (Stefan Goldmann\u2019s \u2018Ghost Hemiola\u2019)<\/i>\u00a0in 2019. This meant that to expertise her work, one needed to hunt down her performances. This modified when she started a medical sabbatical following a lifesaving mind surgical procedure in February 2019. (She plans to lastly return to touring in 2023.) After which the pandemic hit, and instantly all the world gave the impression to be reassessing tips on how to manage occasions. Chavez argues that we should all be taught from these experiences, and demand a radical inclusivity going ahead, ensuring that live shows are accessible to all.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-112640 alignleft\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/maria-chavez-jeff2.jpg?w=291&amp;h=300\" alt=\"\" width=\"291\" height=\"300\"\/>Even earlier than her mind surgical procedure, Chavez had a deep curiosity in neuroplasticity, and the methods by which arts and tradition form our notion of actuality. In a current essay, \u201cToo A lot Actuality,\u201d (<i>e-flux<\/i>, 2021), she described how actions produce new neural connections, and thus \u201cmight be educated and optimized by means of issues like bodily train, studying a brand new language, or engaged on a puzzle. Over generations, actions that evolve our brains take the type of tradition.\u201d This perception could assist us transfer past the materialism\/idealism binary. Materials practices change how we expect, actually, and in order concepts are made materials in tradition, our concepts are additionally formed by materials actuality. Importantly, our notion of matter modifications relying on our ideological lens. So Chavez takes neuroplasticity into consideration along with her work, significantly what she has termed her\u00a0Hyper Reminiscence Installations\u201d (HMI), by which she creates layered assemblages (typically of the identical discipline recordings) to be able to create a density of sound that engenders particular bodily reactions. She writes,\u00a0\u201cThe experiential density of those \u2018hypermnemonic\u2019 installations has the potential to help and support in growing neuroplasticity.\u201d<\/p>\n<p>She first developed these concepts when engaged on her collection\u00a0<i>The Rain of Applause\u00a0<\/i>(2012-present), which started when she was commissioned to appreciate a sound set up in Malm\u00f6, Sweden. On this episode, she describes her thought course of in the course of the improvement of that work. There will probably be performances occurring in each metropolis on the planet any evening of the week, and people performances will probably be met with some type of applause; the enthusiastic cheering of the gang, the well mannered applause of the employees, and so forth. For\u00a0<i>The Rain of Applause<\/i>, Chavez asks her hosts to file all of the applause of their venue within the weeks or months main as much as her arrival, which she then edits right into a dense Hyper Reminiscence Set up. The abnormally lengthy publicity to applause has a disorienting impact, a robust subversion of a efficiency ritual of viewers participation that&#8217;s ubiquitous but typically goes with out attentive listening.<\/p>\n<p>The seventh model of\u00a0<i>The Rain of Applause\u00a0<\/i>was culled from recordings made throughout\u00a0\u201cBlack Lives Matter marches, vigils and different occasions\u201d in the course of the summer season of 2020, launched as the ultimate piece of\u00a0 Erstwhile Information\u2019 AMPLIFY 2020 Pageant. We at ACL discovered this entry significantly highly effective, one in every of our\u00a0favourite\u00a0field-recording primarily based works of 2020. Richard Allen\u00a0wrote\u00a0on the time that:<\/p>\n<p>Chavez captures the power, vitality, youth and unity of this worldwide motion, proclaiming its positivity by means of the assembly of palms.\u00a0 The subject is private for the artist, who was as soon as unjustly prisoned in Houston; the time of the soundscape (8:46) is a direct reference to George Floyd\u2019s homicide.\u00a0 The cheer of bicycle bells and automotive toots (versus lengthy honks) is proof of empathy in a broken time.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-112648 alignright\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/artworks-sgdhlzoa0ksybjzn-4bj3uq-t500x500.jpg?w=300&amp;h=300\" alt=\"\" width=\"300\" height=\"300\"\/>In recent times, Chavez has begun performing with a brand new setup, utilizing 4 turntables every outfitted with RAKE double-headed needles and two mixers, every needle with its personal devoted channel. She designed these needles in collaboration with\u00a0Randal Sandan Jr., and hopes that they may be commercially obtainable sooner or later, and anticipated needing to replace her e book with these new methods. This new rig additionally makes doable such a density of sound that she will now carry out \u201cdwell\u201d variations of her Hyper Reminiscence Installations. For example, a current efficiency for the\u00a0Grey Heart\u00a0in Chicago sees her layering quite a lot of principally nature recordings chosen from the Folkways Information catalog.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-112647 alignleft\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/mariachavezlucasgorham.webp?w=300&amp;h=300\" alt=\"\" width=\"300\" height=\"300\"\/>Many different recordings have seen launch following Chavez\u2019s surgical procedure<i>,\u00a0<\/i>every distinctive.\u00a0<i>Performs\u00a0<\/i>finds Chavez manipulating empty locked grooves from\u00a0<strong>Stefan Goldmann\u2018<\/strong>s double-vinyl\u00a0<i>Ghost Hemiola<\/i>. With no specific content material of its personal,\u00a0<i>Performs<\/i>\u00a0reveals Chavez\u2019s approach at its most pure, a deep exploration of the materiality of vinyl, even when it&#8217;s empty save for a locked groove. Chavez manipulates these grooves in a manner that remembers electroacoustic glitch at its most minimalist. Chavez has additionally launched three beautiful recordings through her\u00a0Bandcamp, gathering performances she gave throughout a residency on the\u00a0 Experimental Media and Performing Arts Heart (EMPAC) at Rensselaer Polytechnic Institute, the establishment the place her late trainer Pauline Oliveros ended her storied profession. I drew on many excerpts from these recordings for this episode, in addition to lately launched recordings of her duos with<strong>\u00a0Lucas Gorham<\/strong>\u00a0and\u00a0<strong>Jordi Wheeler<\/strong>. Later this yr we will additionally anticipate a restricted lathe artwork collection produced with\u00a0<strong>Devin Kkenny<\/strong>, in addition to a brand new collaboration with\u00a0Sandy Ewen. What else does Maria have in retailer post-brain surgical procedure? Keep tuned.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-112497\" src=\"https:\/\/acloserlisten.files.wordpress.com\/2022\/04\/0021483364_10.jpg?w=300&amp;h=203\" alt=\"\" width=\"300\" height=\"203\"\/><strong>LINKS<br\/><\/strong>Maria Chavez<br\/>Bandcamp<br\/>EMPAC<br\/>Deep Listening<br\/>The Kitchen<br\/>Takuroku<\/p>\n<p><b>TRACKLIST<br\/><\/b>ARTIST \u2013 \u201cTITLE\u201d (<em>ALBUM<\/em>, LABEL, YEAR)<\/p>\n<p><b\/>Maria Chavez \u2013 \u201cI Love You, 2020\u201d (<i>EMPAC SESSIONS: 3<\/i>, 2020)<\/p>\n<p>SP INTRO<\/p>\n<p>Maria Chavez \u2013 \u201cEMPAC SESSIONS: 2, 2020\u201d (<i>EMPAC SESSIONS: 2<\/i>, 2020)<\/p>\n<p>Beethoven \/ Werner Elmker \u2013 \u201cGradual model of F\u00fcr Elise\u201d (YouTube, 2021)<\/p>\n<p>Maria Chavez &amp; Jordi Wheeler \u2013 \u201c5 Thousand\u201d\u00a0 (<i>The Kitchen Periods: 1-5, 2020<\/i>, Takuroku, 2021)<\/p>\n<p>Maria Chavez &amp; Lucas Gorham \u2013 \u201cA Aspect\u201d (<i>Reside At Jewel\u2019s Catch One<\/i>, Ratskin, 2020)<\/p>\n<p>Pauline Oliveros, Stuart Dempster, Panaiotis \u2013 \u201cNike\u201d (<i>Deep Listening<\/i>, New Albion, 1989)<\/p>\n<p>Devin KKenny \u2013 \u201cNY Lottery-CBD Kratom (LALIT Remix)\u201d (NY LOTTERY \u2013 CBD KRATOM, PTP, 2021)<\/p>\n<p>DJ Screw \/ UGK \u2013 \u201cInform Me One thing Good\u201d (<i>Bigtyme Vol II All Screwed U<\/i>, Bigtyme Recordz, 1995)<\/p>\n<p>DJ Screw \u2013 \u201cUntitled [excerpt] (instrumental)\u201d (<i>June 27<\/i>, Screwed Up Click on Leisure, 2004)<\/p>\n<p>Annea Lockwood carried out by Maze \u2013 \u201cBayou-borne, For Pauline\u201d (<i>Bayou\u200b-\u200bBorne \/ Jitterbug<\/i>, MFR Modern Sequence, 2022)<\/p>\n<p>Maria Chavez \u2013 \u201cEMPAC SESSIONS: 1 (excerpt)\u201d (<i>EMPAC SESSIONS: 1<\/i>, 2020)<\/p>\n<p>Grandmaster Flash \u2013 [excerpt from the film] (<i>Wild Type<\/i>, 1982)<\/p>\n<p>Geto Boys \u2013 \u201cNonetheless (Instrumental)\u201d (<i>The World Is A Ghetto<\/i>, Noo Trybe Information, 1996)<\/p>\n<p>Maria Chavez \u2013 [Excerpt] (<i>Maria\u2019s Final Reside DJ set in Europe<\/i>, Brussels, Saturday Evening Radio Panik &amp; Moacrealsloa, Jan. 2019)<\/p>\n<p>Maria Chavez \u2013 \u201cEMPAC SESSIONS: 1 (excerpt)\u201d (<i>EMPAC SESSIONS: 1<\/i>, 2020)<\/p>\n<p>Maria Chavez \u2013 \u201cGuitar Vocabulary\u201d (<i>EMPAC SESSIONS: 2<\/i>, 2020)<\/p>\n<p>Maria Chavez &amp; Jordi Wheeler \u2013 \u201cQue Te Vaya Bien\u201d\u00a0 (<i>The Kitchen Periods: 1-5, 2020<\/i>, Takuroku, 2021)<\/p>\n<p>Maria Chavez \u2013 [excerpt]\u00a0 (<i>SquareWheels\u00a0<\/i>\u2013 DJ Combine, 1998)<\/p>\n<p>Pauline Oliveros \u2013 \u201cLarge Mom Is Watching You\u201d (<i>Digital Works 1965-1966<\/i>, Paradigm Discs, 1997)<\/p>\n<p>Grand Wizard Theodore and Imply Gene \u2013 [excerpt] (<i>Reside on third Avenue Ballroom<\/i>, 1977)<\/p>\n<p>Pauline Oliveros &amp; Cecil Taylor \u2013 \u201cDuo\u201d (<i>Solo \u2022 Duo \u2022 Poetry<\/i>, EMPAC Rensselaer, 2012)<\/p>\n<p>Bernhard Leitner \u2013 \u201cHT_A\u201d (<i>Kopfr\u00e4ume \/ Headscapes,\u00a0<\/i>Hatje Cantz, 2003)<\/p>\n<p>Pauline Oliveros &amp; Cecil Taylor \u2013 \u201cDuo\u201d (<i>Solo \u2022 Duo \u2022 Poetry<\/i>, EMPAC Rensselaer, 2012)<\/p>\n<p>Maria Chavez\u00a0 \u2013 \u201cSara Sleeps, 2020\u201d (<i>EMPAC SESSIONS: 1<\/i>, 2020)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/noiseeconomy.files.wordpress.com\/2019\/03\/sp-logo-no-text.jpg?w=273&amp;h=273\" width=\"273\" height=\"273\"\/><\/p>\n<p>Maria Chavez \u2013 \u201cThe\u00a0Rain of Applause\u201d (<i>The Rain of Applause<\/i>, Amplify, 2020)<\/p>\n<p>Susanna Hood &amp; Martin T\u00e9treault \u2013 \u201cHi there e\u0301tendues\u201d (<i>Tortues vapeur<\/i>, Mikroclimat, 2019)<\/p>\n<p>Maria Chavez \u2013 \u201cXI\u201d (<i>Maria Chavez Performs (Stefan Goldmann\u2019s \u2018Ghost Hemiola\u2019)<\/i>, Macro, 2019)<\/p>\n<p>Pauline Oliveros \u2013 \u201cBye Bye Butterfly\u201d (<i>Digital Works 1965-1966<\/i>, Paradigm Discs, 1997)<\/p>\n<p>Antipop Consortium\u00a0 \u2013 \u201cVolcano (4 Tet Remix Instrumental)\u201d (<i>Volcano<\/i>, Large Dada, 2009)<\/p>\n<p>\u2014-<\/p>\n<p><em>Sound Propositions<\/em>\u00a0is written, recorded, combined, and produced by\u00a0<strong>Joseph Sannicandro<\/strong>.<\/p>\n<p>\u00a0<\/p>\n<div id=\"jp-post-flair\" class=\"sharedaddy sd-like-enabled sd-sharing-enabled\"><div class=\"sharedaddy sd-block sd-like jetpack-likes-widget-wrapper jetpack-likes-widget-unloaded\" id=\"like-post-wrapper-25092976-2090-63d7c3f495686\" data-src=\"https:\/\/widgets.wp.com\/likes\/index.html?ver=20220105#blog_id=25092976&amp;post_id=2090&amp;origin=noiseeconomy.wordpress.com&amp;obj_id=25092976-2090-63d7c3f495686&amp;domain=soundpropositions.com\" data-name=\"like-post-frame-25092976-2090-63d7c3f495686\" data-title=\"Like or Reblog\"><h3 class=\"sd-title\">Like this:<\/h3><p><span class=\"button\"><span>Like<\/span><\/span> <span class=\"loading\">Loading&#8230;<\/span><\/p><span class=\"sd-text-color\"\/><\/div>\n<p>\n\t<h3 class=\"jp-relatedposts-headline\"><em>Associated<\/em><\/h3>\n<\/p><\/div>\t\t\t<\/div>\r\n<br><a href=\"https:\/\/soundpropositions.com\/2022\/11\/08\/kakaphony\/\" target=\"_blank\" rel=\"noopener\">Source link <\/a>","protected":false},"excerpt":{"rendered":"<p>Maria Chavez\u00a0is a pioneer of Summary Turntablism, a self-described apply she developed beneath the steerage of\u00a0Pauline Oliveros\u2018 Deep Listening. Born in Lima, Peru and raised<\/p>\n","protected":false},"author":1,"featured_media":17844,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18211],"tags":[22817],"acf":[],"_links":{"self":[{"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/posts\/20242"}],"collection":[{"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/comments?post=20242"}],"version-history":[{"count":0,"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/posts\/20242\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/media\/17844"}],"wp:attachment":[{"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/media?parent=20242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/categories?post=20242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expresspage.net\/wp-json\/wp\/v2\/tags?post=20242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}