The Pianistic Perfection of Yunchan Lim at the Wigmore Hall
Pianistic excellence … …… And far more besides.Not even from Cherkassky on this extremely phase have we heard a Liebestraum of such liberty and improved pureness of noise.
Myra Hess would have been amazed at the skill and ravishing sense of balance in ‘Jesu Delight’. With or without Matthay this boy has a thousand gradations of noise in each finger and the intelligence and level of sensitivity to be able to check out beyond the notes composed on the page and into the extremely soul of the author.
His Liszt and Rachmaninov might be of a super star however his Beethoven Bach and Brahms are of a terrific interpretative artist.Daring to state Byrd to be the best English author 4 centuries from his death was taking his life into his hands on the Wigmore stage.His efficiency of simpleness and subtlety integrated with glowing accessories played in an inconspicuous however extremely significant method persuaded us that he was most likely right!Have Bach’s 15 Sinfonia’s ever sounded so loaded with appeal and simpleness as he appeared to hardly touch the keys?No showmanship or external disturbance with the music that simply put so naturally from his fingers and drew the audience in to the heart of the music instead of being predicted to greedy however lazy ears.Knotty twine as Delius was wont to explain Bach however knots connected by the angels in a celestial paradise.It remained in Beethoven too, where he really comprehended the authors irascible character that emerged so suddenly from the golden streams of notes that streamed from his hands in the Bagatelles.The chameleonic quicksilver modifications of character were wonderfully understood with a pianistic excellence that was revelatory and to state the extremely least, extraordinary.The rage and vibrant energy he gave the last A flat Bagatelle was rather frustrating.’ Rage over a lost cent’ we understand however this, however, was a ‘rage over a million dollar note!’ It led instantly to the excellent opening chord of the variations op 15– a genuine call to arms.It stopped all those trifles and unexpected Beethovenian frivolities as we got to the heart of the recital with a huge efficiency of the Eroica Variations that I have actually explained in information listed below from his efficiency in Poland last summer.Not rather the characterisation of Curzon however the dynamism and drive of Serkin or Brendel with the appeal of noise of Gilels or Volodos.In a word at 18 he is currently a total artist of excellent stature.
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