Angela Hewitt – The 100th Anniversary season of the Accademia Chigiana in Siena.Bach shining brightly with intelligence,ravishing beauty ……and wit.
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Angela Hewitt – The 100th Anniversary season of the Accademia Chigiana in Siena.Bach shining brightly with intelligence,ravishing beauty ……and wit.


Angela Hewitt for the 100th anniversary of the Chigiana Academy
Teatro dei Rozzi

Angela’s Bach is a human Bach not a monolith to be worshipped from afar however a musical genius who likewise had human sensations that he revealed within the official limits of music of his time.He likewise had seventeen kids so he need to certainly have had a sense of humour!Angela’s Bach is based upon the tune and the dance however above all on the human voice.It is this that kept the audience enthralled with 8 Starts and Fugues from Book 2 of the Well Tempered Clavier played at the same time sometimes with a balanced drive and others a beseeching melodic line of fantastic beauty.Has the D small start ever seen such a seemless stream of notes with unforeseen colours resembling gems unexpectedly shining brightly.The opening D significant had something of the nobility that she brought later on to the opening of the Overture BWV 831. There was a pastoral appeal that she gave the Start in E flat contrasting with the basic delight of the Fugue.There was fragile expression to the end of the D sharp Fugue.The hectic weaving of the E small Start and Fugue you might start to see what Delius implied when he dismissed Bach as knotty twine!He clearly had actually not heard Angela’s fantastic sense of colour and shape and a method of highlighting without exaggeration.She would simply shine a mini spotlight on the entry of the fugue however with a kaleidoscope of various colours.Her Bach has fantastic architectural shape however within that Gothic cathedral there were a lot of surprise shapes and various characters that made what appeared like a dry workout on paper ends up being a dynamic thrilling and moving experience.Refined appeal of the last F small Start was contrasted with the rumbustuous protest of the Fugue.It was this Fugue that going backstage in the period of among her numerous performances in Florence we wound up singing Ebenezer Prout’s popular words to the Bach Fugues.I pretended to bear in mind however she was dancing around the space reciting them revealing what enjoyable Bach can be too!A life time buddy undoubtedly! Fortunate Angela!And fortunate us who can share her ‘joie de vivre’ in her ever generous tournées world broad.

Johann Sebastian Bach

Johann Sebastian Bach da “Il Clavicembalo ben Temperato”, Libro II
Preludio e Fuga n. 5 in re magg. BWV 874
Preludio e Fuga n. 6 in re minutes. BWV 875
Preludio e Fuga n. 7 in mi bem. magg. BWV 876
Preludio e Fuga n. 8 in re diesis minutes. BWV 877
Preludio e Fuga n. 9 in mi magg. BWV 878
Preludio e Fuga n. 10 in mi minutes. BWV 879
Preludio e Fuga n. 11 in fa magg. BWV 880
Preludio e Fuga n. 12 in fa minutes. BWV 881

Leading of Bach’s title page for the first book of ‘The Well-Tempered Clavier’, 1722, revealing handwritten loops which some have actually translated as tuning instructions.Each set includes twenty-four sets of start and fugue. The very first set remains in C significant the 2nd in C small, the 3rd in C sharp significant the 4th in C sharp small and so on. The increasing chromatic pattern continues till every secret has actually been represented, completing with a B small fugue. The very first set was assembled in 1722 throughout Bach’s visit in Kothen the 2nd followed twenty years later on in 1742 while he remained in Leipzig.

Johann Sebastian Bach Ouverture in stile francese in si minutes. BWV 831
1. Ouverture
2. Courante
3. Gavotte I
4. Gavotte II (re maggiore)
5. Passepied I
6. Passepied II
7. Sarabande
8. Bourrée I
9. Bourrée II
10. Gigue
11. Echo

The Overture in the French design, BWV 831, initial title Ouvertüre nach Französischer Art, likewise called the French Overture and released as the 2nd half of the Clavier- Ubung 11 in 1735 (coupled with the Italian Concerto) and is a suite in B small for a two-manual harpsichord.A previously variation of this work exists, in the secret of C small (BWV 831a); the work was shifted into B small to finish the cycle of tonalities in Components One and 2 of the Clavier-Übung [ The secrets of the 6 Partitas (B ♭ significant, C small, A small, D significant, G significant, E small) of Clavier-Übung I form a series of periods increasing and after that down by increasing quantities: a 2nd up (B ♭ to C), a 3rd down (C to A), a 4th up (A to D), a 5th down (D to G), and lastly a 6th up (G to E). The crucial series continues into Clavier-Übung II (1735) with 2 bigger works: the Italian Concerto, a seventh down (E to F), and the French Overture, an increased 4th up (F to B ♮). Therefore this series of traditional tonalities for 18th-century keyboard structures is total, extending from the very first letter of his name (Bach’s “house” secret, B ♭, in German is B) to the last letter of his name (B ♮ in German is H). The term overture describes the truth that this suite begins with an overture motion, and was a typical generic name for French suites (his orchestral suites were likewise called). This “overture” motion changes the allemande discovered in Bach’s other keyboard suites. Likewise, there are optional dance motions both prior to and after the Sarabande.In Bach’s work optional motions typically happen just after the sarabande. All 3 of the optional dance motions exist in sets, with the very first one duplicated after the 2nd, however without the internal repeats. Likewise uncommon for Bach is the addition of an additional motion after the GigueThis is an “echo”, a piece implied to make use of the terraced loud and soft characteristics of the two-manual harpsichord. Other motions likewise have vibrant indicators ( piano and strength) which are seldom discovered in keyboard suites of the Baroque duration, and show here making use of the 2 keyboards of the harpsichord. With eleven motions, the French Overture is the longest keyboard suite ever made up by Bach.

A complete and really passionate public were rewarded with 2 encores.The Gigue from the 5th French Suite in an extremely driven efficiency of amazing unrelenting urgency.Followed by a delicious efficiency of an uncommon transcription of ‘Sleep Might Securely Graze’ which was of really superb appeal.

‘ A good masterclass in Perugia the other day at the Conservatorio. 8 trainees played Starts and Fugues for me from the Well-Tempered Clavier, and besides going through those particular ones, I yapped about Bach analysis in basic. And after that at the end took a seat and played 4 of them from Book II. A great deal of trainees showed up, so it was a good crowd. I hope it motivates them to happen with this fantastic music.’ Angela Hewitt

Lydia and Guido Agosti with my other half Ileana Ghione.We satisfied whilst I was assisting Lydia with her course ‘Da Schoenberg advertisement Oggi” with her trainees from the Silvio D’Amico Academy in Rome.The course happened in the ballroom of the circolo dei Rozzi and we were informed in 1978 about the deserted theatre next door.It has actually considering that been brought back to the splendour that it is today.Guido Agosti offered his famous 6 week course at the popular Academy established by Count Chigi.
Bach can be enjoyable too!
The stunning Palazzo Pubblico and the Campo.The little home set down on the roofing on the right was were Hilda Colucci lived.She had actually been the arts officer at the British Council in Rome.A post taken control of by the late Jack Buckley.Hilda had actually made a pact with the regional council that she would totally refurbish that little home and set up a lift at her own expenditure if she might reside in it for the rest of her life!Of course as time previous and the councillors altered, the brand-new ones understood that she was residing in a cash cow and they attempted by sneaky legal ways to get her out.She got a legal representative from Siena and being Sienese herself she likewise got a legal representative from Florence.The stress and battle never ever modified Hilda’s fantastic jolly manner however she had a stroke and wound up in a Hotel where she was well taken care of by friends.It is the very same hotel where I am remaining today suggested by the Chigiana– the Canon d’Oro … … little world.Hilda’s name is still on the door bell in Piazza del Campo.
With the creative director of the Chigiana Structure Nicola Sani.it was great to recollect amongst buddies of long standing.Angela believes we initially satisfied in 1985 when she came the very first time to the Ghione Theatre.I was really cautious to state that it was much prior to that, when Sidney Harrison who was my instructor and became her neighbour and coach in Chiswick.Nicola Sani was my neighbour in Rome, he at n. 3 and we at n. 4 Carlo Dolci.Our downstairs neighbour was Audrey Hepburn with a stunning little home she integrated in our garden for her boy Luca to go to school when her marital relationship to Dr Dotti broke up.She and my other half were fantastic admirers of each others art and they shared hair stylist too.
With Carlo Rea and his family.Carlo utilized to play in the orchestra that Franco Ferrara utilized for his famous carrying out course.A course where Mehta, Abbado, Barenboim and the majority of the fantastic conductors of our day gained from among the fantastic artists that were at the Chigiana throughout the summer season months.I came there as a very first year trainee at the RAM to study with Guido Agosti, a trainee of Busoni, and believed I would get the sack if they ever discovered in London.When I returned to the RAM I discovered I had actually been granted the Tobias Matthay Fellowship for my effort!

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